| 1. | The development of the concept of quot; every literary genre quot; in macao modern literature
澳门现代文学各文体观念的演变 |
| 2. | The italians like soap operas today . their most successful literary genre is comic
今天意大利人喜爱看肥皂剧，他们最成功的文学样式是连环漫画。 |
| 3. | L bicheng put her unique personal experience and her self - exile into ci lyric poems , a traditional literary genre
吕氏文学成就以词为高，厥为新材料的旧载体。 |
| 4. | At its strongest , regional literature characterizes itself as a literary genre with the flavor of the local and the native
摘要乡土文学是最具地方特色和民族特色的文学类别。 |
| 5. | The complicated and ever changeable dialectical relationship between these three and literary tradition displays a splendid scenery in the history of development in literary genre
这三者与文学传统之间复杂多变的辩证关系展开了文类发展史上多彩的画面。 |
| 6. | The author ' s answer , titled “ out of the fortress , ’ ’ first appeared on tens of thousands of mobile telephone screens last month . it is a new literary genre : the text - message novel
千夫长的解决之道是一本叫《城外》的小说。这部小说上月第一次出现在数万具行动电话萤幕上。这是一种新的文学型式：简讯小说。 |
| 7. | Criticism promotes the establishment of genre conceptions , literary creation is the pioneer and endless motivation of its development and the involvement of literary reception influences the reproduction of literary genre
文学批评推动了文类概念的确立；文学创作是文类发展的开路先锋和不竭动力；文学接受的介入影响著文学类型的再生产。 |
| 8. | From the time when zhanghui novel as a literary genre began to take shape all the way to the first half of the 20th century in which the conception of zhanghui style was generally accepted , for such a long period , the " name " of zhanghui novel has mismatched its " reality "
摘要章回小说作为一种小说文体类型成熟之后，直至20世纪上半期人们普遍接受“章回体”这一小说文体概念前，其“名”与“实”之间的对应在很长时期内存在错位。 |
| 9. | By special means and different forms of discourses the " model peking opera movies " have self - centeredly taken the leadership among other literary genres , redistributed the cultural power relations among literature , drama , plays , music , plastic art and mass media , and deliberately devised the theme of " dedicators " that met the need of the state
“样板戏电影”通过独特的手段与话语形式，以自我为中心引导其他诸种艺术类别，重新规划文学、戏剧及舞台剧、音乐、造型艺术、大众传媒等的文化权力关系，并设计出完全符合国家需要的“献身者”主题。 |
